Christiane Jaccottet made "Galliard the Earle of Essex (Can She Excuse)" available on February 1, 2016. The duration of Galliard the Earle of Essex (Can She Excuse) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Galliard the Earle of Essex (Can She Excuse)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Songs and Dances of John Dowland". In this album, this song's track order is #5. In terms of popularity, Galliard the Earle of Essex (Can She Excuse) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Galliard the Earle of Essex (Can She Excuse) by Christiane Jaccottet having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in G Major, RV 415: III. Alla breve (Presto) | Musici di San Marco & Alberto Lizzio | F♯ Major | 1 | 2B | 129 BPM | ||
Cello Sonata in C Minor, G. 2: II. Largo | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
Concerto In D Major, Op.26, No.6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
Sonata a 5 in D, Op.2, No.5: 1. Grave | Tomaso Albinoni, I Musici | A Major | 2 | 11B | 114 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | A Minor | 0 | 8A | 77 BPM | ||
Concerto a 5 for Flute, Strings, and Continuo in G: 3. Allegro | Giuseppe Tartini, Severino Gazzelloni, I Musici | G Major | 1 | 9B | 103 BPM | ||
Trio Sonata in B Minor, H. 567: I. Allegro | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | B Minor | 1 | 10A | 96 BPM | ||
Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 1 | 2B | 82 BPM | ||
Sonata for 2 Oboes, Bassoon and Basso Continuo No. 2 in G flat, ZWV 181: 4. Allegro | Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet | G Minor | 3 | 6A | 126 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.7 in E flat major BWV876 | Daniel Barenboim | G Major | 2 | 9B | 78 BPM |
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