Fidelio, Op. 72, Act II: No. 16, Finale - Ludwig van Beethoven, Kyosti Haatanen, Aki Alamikkotervo, Bengt Rundgren, Heikki Kilpelainen, Jorma Falck, Jorma Hynninen, Jorma Silvasti, Martti Talvela, Peter Lindroos, Ritva Auvinen, Satu Vihavainen, Tom Krause, Usko Viitanen, The Savonlinna Opera Festival Orchestra, The Savonlinna Opera Festival Choir Information

Acousticness: 95%
Danceability: 25%
Energy: 15%
Instrumentalness: 0%
Liveness: 7%
Loudness: 65%
Speechiness: 6%
Valence: 13%
Popularity: 0%
Loudness: -21.118 dB

Summary

"Fidelio, Op. 72, Act II: No. 16, Finale" by Ludwig van Beethoven, Kyosti Haatanen, Aki Alamikkotervo, Bengt Rundgren, Heikki Kilpelainen, Jorma Falck, Jorma Hynninen, Jorma Silvasti, Martti Talvela, Peter Lindroos, Ritva Auvinen, Satu Vihavainen, Tom Krause, Usko Viitanen, The Savonlinna Opera Festival Orchestra, The Savonlinna Opera Festival Choir was released on October 9, 2021. Fidelio, Op. 72, Act II: No. 16, Finale appears to be safe for all ages as it is not explicit. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Fidelio, Op. 72, Act II: No. 16, Finale" is a single. Fidelio, Op. 72, Act II: No. 16, Finale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fidelio, Op. 72, Act II: No. 16, Finale BPM

The tempo marking of Fidelio, Op. 72, Act II: No. 16, Finale by Ludwig van Beethoven, Kyosti Haatanen, Aki Alamikkotervo, Bengt Rundgren, Heikki Kilpelainen, Jorma Falck, Jorma Hynninen, Jorma Silvasti, Martti Talvela, Peter Lindroos, Ritva Auvinen, Satu Vihavainen, Tom Krause, Usko Viitanen, The Savonlinna Opera Festival Orchestra, The Savonlinna Opera Festival Choir is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Fidelio, Op. 72, Act II: No. 16, Finale Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I)	Georges Bizet, Leonard Bernstein, New York Philharmonic	D Major	0	10B	94 BPM
Sinfonia in D Major, "La Veneziana": III. Presto	Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel	D Major	1	10B	109 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek	D Major	0	10B	114 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Major	1	12B	82 BPM
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia	Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi	E♭ Major	2	5B	49 BPM
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga	Johann Sebastian Bach, Lang Lang	G Major	1	9B	71 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Kinderszenen, Op. 15: No. 10 Fast zu ernst	Robert Schumann, Wilhelm Kempff	G Major	0	9B	69 BPM
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor	Sergei Rachmaninoff, Sviatoslav Richter	E♭ Major	0	5B	70 BPM
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano)	Johann Sebastian Bach, Lang Lang	D Major	0	10B	115 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7024955749511719

End: 0.7065186500549316