Monica Huggett made "Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 2 in D minor BWV 1004: V. Ciccona" available on March 3, 2003. Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 2 in D minor BWV 1004: V. Ciccona appears to be safe for all ages as it is not explicit. There are a total of 32 in the song's album "Solo Violin Sonatas & Partitas". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 2 in D minor BWV 1004: V. Ciccona is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 2 in D minor BWV 1004: V. Ciccona by Monica Huggett having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Bach, JS: Sonata for Solo Violin No. 1 in G Minor, BWV 1001: II. Fuga. Allegro | Johann Sebastian Bach, Monica Huggett | A Major | 0 | 11B | 67 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
Bach, CPE: Concerto in G Major, Wq 169, H. 445: I. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | G Major | 2 | 9B | 133 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM |
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