- BPM
- 75
- Key
- C Major
- Camelot
- 8B
Requiem in D minor, K.626: 3. Sequentia: Confutatis - Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 99%
- Danceability
- 13%
- Energy
- 4%
- Instrumentalness
- 94%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 45%
- Loudness
- -23.759 dB
Summary
"Requiem in D minor, K.626: 3. Sequentia: Confutatis" by Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1987. The duration of Requiem in D minor, K.626: 3. Sequentia: Confutatis is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Requiem in D minor, K.626: 3. Sequentia: Confutatis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Barbara Bonney, Anne Sofie von Otter, Hans Peter Blochwitz, Willard White, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Requiem; Kyrie in D minor" album is number 7 out of 15. Requiem in D minor, K.626: 3. Sequentia: Confutatis is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem in D minor, K.626: 3. Sequentia: Confutatis BPM
We consider the tempo marking of Requiem in D minor, K.626: 3. Sequentia: Confutatis by Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Requiem in D minor, K.626: 3. Sequentia: Confutatis Key
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Monteverdi: L'Orfeo, SV 348, Act 2: "Ecco pur ch'a voi ritorno" | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner, Anthony Rolfe Johnson, Lawrence Dale, Alan Woodrow | C Major | 1 | 8B | 111 BPM | |
 | Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | |
 | Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 3b. Credo: Et incarnatus est | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, Lisa Beznosiuk, Anthony Robson, Alastair Mitchell, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F Major | 1 | 7B | 91 BPM | |
| Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 9, Volgendo il ciel, SV 154 | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner, Anthony Rolfe Johnson, The Monteverdi Choir | G Major | 1 | 9B | 75 BPM | |
 | Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | |
 | Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | |
 | Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM | |
 | Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (a) Tema con variazoni | Wolfgang Amadeus Mozart, YUNDI | B♭ Major | 0 | 6B | 79 BPM | |
 | Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | |
 | Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 6.2273173332214355
End: 6.230419635772705