Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester's 'Flute Sonata in B minor / si mineur / h-moll: I. Cantabile' came out on October 21, 2010. The duration of Flute Sonata in B minor / si mineur / h-moll: I. Cantabile is about 3 minutes long, at 3:29. Based on our data, "Flute Sonata in B minor / si mineur / h-moll: I. Cantabile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #5. Flute Sonata in B minor / si mineur / h-moll: I. Cantabile is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Sonata in B minor / si mineur / h-moll: I. Cantabile by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Minor: Plainte | Marin Marais, London Baroque | F♯ Minor | 2 | 11A | 124 BPM | ||
Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 3. Siciliano | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Minor | 0 | 7A | 86 BPM | ||
Concerto in F major for Violin, 2 oboes, 2 horns, cello, bassoon & strings RV 571: 2. Largo | Antonio Vivaldi, Danny Bond, Simon Standage, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | F Minor | 1 | 4A | 134 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: V. Allegro molto | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Pièces de viole du Troisième Livre, suite I en la mineur: Grand Ballet [13] (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | A♭ Minor | 2 | 1A | 150 BPM | ||
Suite in G Minor: Sarabande I | Marin Marais, London Baroque | F♯ Minor | 2 | 11A | 110 BPM | ||
12 Violin Concertos, Op. 4 - "La stravaganza" / Concerto No. 3 in G Major, RV 301: 3. Allegro Assai | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | F♯ Major | 2 | 2B | 130 BPM | ||
Concerto No 5 in G minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 83 BPM | ||
Sonata in E Minor: II. Largo | Johann Rosenmüller, London Baroque | E♭ Minor | 2 | 2A | 78 BPM | ||
Sinfonia a 3 in G major: III. Allegrissimo | Domenico Scarlatti, Raffaello Negri/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | F♯ Major | 3 | 2B | 135 BPM |
Section: 0.7226309776306152
End: 0.7313978672027588