Brian Field, Fernando Nazzaro, Lviv Philharmonic made "Four by Four" available on March 27, 2021. With this song being about 5 minutes long, at 5:11, "Four by Four" by Brian Field, Fernando Nazzaro, Lviv Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Brian Field: String Play by Brian Field, Various Artists. Four by Four is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Four by Four by Brian Field, Fernando Nazzaro, Lviv Philharmonic is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly, SC 74, Act I: Ancora un passo or via | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Major | 1 | 2B | 81 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, Philharmonie Südwestfalen, Nabil Shehata | E Minor | 1 | 9A | 134 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Major | 4 | 2B | 94 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes | Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 0 | 10B | 121 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Khovanshchina: Morgendammerung an der Moskwa | Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn | D Major | 3 | 10B | 116 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM |
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