Johann Sebastian Bach, Karl Richter made "Goldberg Variations, BWV 988: Var. 30 Quodlibet a 1 Clav." available on July 30, 2022. With Goldberg Variations, BWV 988: Var. 30 Quodlibet a 1 Clav. being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 37 out of 253 in BBQ Night with Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Goldberg Variations, BWV 988: Var. 30 Quodlibet a 1 Clav.'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg Variations, BWV 988: Var. 30 Quodlibet a 1 Clav. by Johann Sebastian Bach, Karl Richter is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue | Janos Sebestyen, Johann Sebastian Bach | D Minor | 3 | 7A | 88 BPM | ||
Keyboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch | F Major | 2 | 7B | 109 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 2 | 12B | 183 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro | Johann Sebastian Bach, Andrei Gavrilov, Academy of St. Martin in the Fields, Sir Neville Marriner, John Constable | D Minor | 3 | 7A | 114 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 3 | 7B | 90 BPM |
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