"Five Variants of "Dives and Lazarus"" by Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1972. Five Variants of "Dives and Lazarus" appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Tallis Fantasia; Fantasia on Greensleeves; The Lark Ascending etc. by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner. The song's track number on the album is #4 out of 4 tracks. Five Variants of "Dives and Lazarus" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Variants of "Dives and Lazarus" by Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Five Variants of "Dives and Lazarus" being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 12 in F Major, "American", Op. 96: III. Molto Vivace | Antonín Dvořák, Chilingirian Quartet | F Major | 1 | 7B | 109 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestra National de Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | ||
Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 116 BPM | ||
Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM |
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