"A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound"" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony Orchestra was released on January 1, 1967. The duration of A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" is about 3 minutes long, at 3:04. Based on our data, "A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche - | Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Major | 1 | 12B | 141 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale (Adagio lamentoso - Andante) | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | B Minor | 1 | 10A | 83 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Finale: "Though this house give glimm'ring light" | Felix Mendelssohn, Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | E Major | 1 | 12B | 79 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 83 BPM | ||
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Major | 0 | 8B | 89 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Ciacona in G Minor, Z. 730 | Henry Purcell, English Chamber Orchestra, Benjamin Britten | G Minor | 2 | 6A | 78 BPM | ||
Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part | William Walton, Philharmonia Orchestra | C Major | 0 | 8B | 71 BPM | ||
La Navaraisse: Nocturne | Jules Massenet, London Symphony Orchestra, Richard Bonynge | C Major | 1 | 8B | 80 BPM |
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