Stephenie Meyer, Ulrike Grote, Peter Jordan's 'Kapitel 16 - Biss zum Abendrot' came out on July 16, 2008. The duration of Kapitel 16 - Biss zum Abendrot is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Kapitel 16 - Biss zum Abendrot's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 204 in Biss zum Abendrot by Stephenie Meyer, Ulrike Grote, Peter Jordan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Kapitel 16 - Biss zum Abendrot is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kapitel 16 - Biss zum Abendrot by Stephenie Meyer, Ulrike Grote, Peter Jordan is Prestissimo (even faster than presto), since this song has a tempo of 235 BPM. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 1 - It Was Always Love - Blakely Brüder, Band 2 | Nikola Hotel, Dagmar Bittner | D♭ Major | 3 | 3B | 170 BPM | ||
Kapitel 58 - Plötzlich Shakespeare | David Safier, Anneke Kim Sarnau, Christoph Maria Herbst | B Minor | 2 | 10A | 84 BPM | ||
Teil 1 - Breakaway - Away-Trilogie, Teil 1 | Anabelle Stehl, Dagmar Bittner, Louis Friedemann Thiele, Corinna Dorenkamp | E♭ Major | 3 | 5B | 83 BPM | ||
Tschick, Kapitel 14 | Wolfgang Herrndorf, Hanno Koffler | G Major | 2 | 9B | 98 BPM | ||
Kapitel 26.2 & Kapitel 27.1 - Biss zum Ende der Nacht | Ulrike Grote, Peter Jordan | D♭ Major | 2 | 3B | 104 BPM | ||
Kapitel 1 - A River of Royal Blood - Rivalinnen | Amanda Joy, Giovanna Winterfeldt | F Minor | 3 | 4A | 170 BPM | ||
Kapitel 60 - Wir tun es für Geld | Matthias Sachau, Simon Gosejohann | A♭ Minor | 3 | 1A | 107 BPM | ||
Kapitel 4.4 - Der Kaffee am Arsch der Welt | Leo Fischer | B Minor | 3 | 10A | 78 BPM | ||
Kapitel 1 - Der schwarze Phönix - Phönixakademie, Band 1 | I. Reen Bow, Cornelia Waibel | G Minor | 2 | 6A | 102 BPM | ||
Kapitel 3 - Save Me - Maxton Hall Reihe, Band 1 | Mona Kasten, Milena Karas, Michael-Che Koch | E Major | 4 | 12B | 86 BPM |
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