"Carmina Burana: Daphnis and Chloe Suite No. 2; I. Daybreak" by Pierre Boulez, Cleveland Orchestra was released on 1991. Carmina Burana: Daphnis and Chloe Suite No. 2; I. Daybreak is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Rendezvous der Sinne Vol. 1". In this album, this song's track order is #3. In terms of popularity, Carmina Burana: Daphnis and Chloe Suite No. 2; I. Daybreak is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Daphnis and Chloe Suite No. 2; I. Daybreak by Pierre Boulez, Cleveland Orchestra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | C Major | 1 | 8B | 79 BPM | ||
Incises | Pierre Boulez, David Fray | C Minor | 3 | 5A | 173 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Piano Concerto No. 2 in A, S.125: I. Adagio sostenuto assai | Franz Liszt, Daniel Barenboim, Staatskapelle Berlin, Pierre Boulez | D Major | 1 | 10B | 69 BPM | ||
Dutilleux: Blackbird | Henri Dutilleux, Anne Queffélec | D♭ Major | 1 | 3B | 180 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Also sprach Zarathustra, Op.30: Von den Hinterweltlern | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 82 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM |
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