"Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn)" by Joaquín Rodrigo, Mark Walters, Grimethorpe Colliery Band, Peter Parkes was released on December 1, 1996. With this song being about 5 minutes long, at 4:44, "Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn)" by Joaquín Rodrigo, Mark Walters, Grimethorpe Colliery Band, Peter Parkes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Grimethorpe Colliery Band, Garry Cutt, Peter Parkes's "Grimethorpe Colliery Band: Grimethorpe" album is number 2 out of 12. Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn) by Joaquín Rodrigo, Mark Walters, Grimethorpe Colliery Band, Peter Parkes to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schindler's List: Main Theme | John Williams, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | D Minor | 1 | 7A | 68 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | D♭ Minor | 1 | 12A | 86 BPM | ||
Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Järvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Suite española No. 1, Op. 47: Asturias (Leyenda) | Isaac Albéniz, Alicia de Larrocha | E♭ Major | 1 | 5B | 134 BPM |
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