Philip Glass, Philip Glass Ensemble, Michael Riesman's 'In the Upper Room: Dance VIII' came out on 1979. With this song being about 5 minutes long, at 5:01, "In the Upper Room: Dance VIII" by Philip Glass, Philip Glass Ensemble, Michael Riesman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "The Essential Philip Glass - Deluxe Edition". In this album, this song's track order is #8. The popularity of In the Upper Room: Dance VIII is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In the Upper Room: Dance VIII by Philip Glass, Philip Glass Ensemble, Michael Riesman having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Roland Pöntinen | G Minor | 0 | 6A | 67 BPM | ||
The Morning: The Glitt'ring Sun (arr. G. Anderson and E. J. Roe) | Anderson & Roe | D♭ Major | 0 | 3B | 100 BPM | ||
O Virtus Sapientae (Arr. M. Beiser for Cello & Electronics) | Hildegard von Bingen, Maya Beiser | A Minor | 3 | 8A | 77 BPM | ||
In the Upper Room: Dance VIII | Philip Glass, Philip Glass Ensemble, Michael Riesman | F Minor | 2 | 4A | 168 BPM | ||
Etude No.3 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | ||
Opaque | Hildur Guðnadóttir, Skúli Sverrisson | A Minor | 2 | 8A | 130 BPM | ||
The Things Left Unsaid | Caleb Burhans, Tarab Cello Ensemble | A Minor | 0 | 8A | 80 BPM | ||
Salon Salloon | Chilly Gonzales | F Minor | 1 | 4A | 86 BPM | ||
Metamorphosis: Metamorphosis Two - Metamorphosis Two | Bruce Brubaker, Philip Glass | A Minor | 0 | 8A | 65 BPM | ||
Gnossiennes: No. 3 - Lent | Erik Satie, Reinbert de Leeuw | A Minor | 0 | 8A | 84 BPM |
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