Anthony Goldstone, Pyotr Ilyich Tchaikovsky made "Swan Lake, Op. 20 (arr. A. Goldstone): Act III in the Castle of Prince Siegfried: A Ball at the Castle: Pas de deux: IV. Coda" available on April 1, 2013. The duration of Swan Lake, Op. 20 (arr. A. Goldstone): Act III in the Castle of Prince Siegfried: A Ball at the Castle: Pas de deux: IV. Coda is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Swan Lake, Op. 20 (arr. A. Goldstone): Act III in the Castle of Prince Siegfried: A Ball at the Castle: Pas de deux: IV. Coda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "The Piano at the Ballet". In this album, this song's track order is #24. Swan Lake, Op. 20 (arr. A. Goldstone): Act III in the Castle of Prince Siegfried: A Ball at the Castle: Pas de deux: IV. Coda is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Swan Lake, Op. 20 (arr. A. Goldstone): Act III in the Castle of Prince Siegfried: A Ball at the Castle: Pas de deux: IV. Coda by Anthony Goldstone, Pyotr Ilyich Tchaikovsky having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Op. 66, Act III The Wedding, Pas de caractere (Puss-in-Boots and the White Cat) [Allegro moderato] [arr. A. Siloti for piano] | Pyotr Ilyich Tchaikovsky, Anthony Goldstone | D Major | 2 | 10B | 129 BPM | ||
6 Charakterstücke, Op. 33: No. 4, Ständchen (Serenade) | Christian Sinding, Eva Knardahl | A♭ Major | 0 | 4B | 69 BPM | ||
Nocturne in F-Sharp Minor | Vasily Kalinnikov, Vladimir Leyetchkiss | D Major | 0 | 10B | 90 BPM | ||
パガニーニによる大練習曲 第6番 | Fujiko Hemming | A Minor | 2 | 8A | 85 BPM | ||
Elite Syncopations | Scott Joplin, Anthony Goldstone | F Major | 2 | 7B | 93 BPM | ||
Norwegian Dances, Op. 35 (version for piano 4 hands): No. 3 in G Major: Allegro moderato alla marcia | Edvard Grieg, Anthony Goldstone, Caroline Clemmow | B♭ Major | 1 | 6B | 81 BPM | ||
Souvenir de Paganini | Frédéric Chopin, Lilya Zilberstein | A Major | 0 | 11B | 76 BPM | ||
Gnossienne No. 6 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Valse | Auguste Durand, Philippe Cassard | A Major | 0 | 11B | 165 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | D Major | 2 | 10B | 82 BPM |
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