Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester made "Sinfonia in E minor, 'Conclusion' / mi mineur / e-moll: Allegro" available on October 21, 2010. With this song being about 5 minutes long, at 4:49, "Sinfonia in E minor, 'Conclusion' / mi mineur / e-moll: Allegro" by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. Based on our statistics, Sinfonia in E minor, 'Conclusion' / mi mineur / e-moll: Allegro's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sinfonia in E minor, 'Conclusion' / mi mineur / e-moll: Allegro by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: II. Tendrement | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | F♯ Minor | 1 | 11A | 175 BPM | ||
Marcello, A: Oboe Concerto in D Minor: I. Andante | Alessandro Marcello, Paolo Grazzi, Giovanni Antonini | D♭ Minor | 1 | 12A | 84 BPM | ||
Concerto in F Major, HWV 333: V. Allegro ma non troppo | George Frideric Handel, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | F♯ Minor | 1 | 11A | 78 BPM | ||
Concerto Grosso, Op. 6, No. 12 in B Minor (HWV 330): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | B♭ Minor | 3 | 3A | 126 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Konzert für Oboe Nr. 3 g-Moll, HWV 287: II. Allegro | George Frideric Handel, Marcel Ponseele, Il Gardellino | F♯ Minor | 3 | 11A | 118 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM |
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