"Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile" by Arthur Grumiaux, Clara Haskil was released on May 14, 2013. Since Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 39 out of 64 in Arthur Grumiaux: The Art of the Violin by Arthur Grumiaux. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile by Arthur Grumiaux, Clara Haskil is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata For Violin And Harpsichord No. 4 In C Minor, BWV 1017: 1. Siciliano (Largo) | Johann Sebastian Bach, Arthur Grumiaux, Christiane Jaccottet | F Minor | 2 | 4A | 143 BPM | ||
Two Elegiac Melodies, Op. 34: II. The Last Spring (Letzter Frühling) - Andante | Edvard Grieg, Eugene Ormandy, Philadelphia Orchestra | E Major | 1 | 12B | 138 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
Sonatina for Violin and Piano No. 1 in D, D.384: 2. Andante | Franz Schubert, Arthur Grumiaux, Robert Veyron-Lacroix | B♭ Major | 1 | 6B | 92 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Adagio for Violin and Orchestra in E, K.261 | Wolfgang Amadeus Mozart, Arthur Grumiaux, New Philharmonia Orchestra, Raymond Leppard | E Major | 1 | 12B | 67 BPM |
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