"Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante" by Ludwig van Beethoven, Mischa Maisky, Martha Argerich was released on January 1, 1993. The duration of Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 24 in Beethoven: Cello Sonatas Op.69 & 102; Variations by Ludwig van Beethoven, Mischa Maisky, Martha Argerich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante by Ludwig van Beethoven, Mischa Maisky, Martha Argerich is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 4. a 1 Clav. - Variatio 5. a 1 o vero 2 Clav. - Variatio 6. Canone alla Seconda. a 1 Clav. | Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa Maisky | E Minor | 0 | 9A | 80 BPM | ||
Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio | Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 110 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
Triple Concerto in C Major, Op. 56: II. Largo | Ludwig van Beethoven, Gruppo Montebello, Henk Guittart, Gideon den Herder, Elena Nemtsova, Kristian Winther | A♭ Major | 0 | 4B | 76 BPM |
Section: 0.7456438541412354
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