Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante
Ludwig van Beethoven, Mischa Maisky, Martha Argerich
Beethoven: Cello Sonatas Op.69 & 102; Variations
2:59 January 1, 1993
BPM
66
Key
C Major
Camelot
8B

Embed

Share Link

Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante - Ludwig van Beethoven, Mischa Maisky, Martha Argerich Information

Acousticness
97%
Danceability
18%
Energy
1%
Instrumentalness
59%
Liveness
7%
Loudness
45%
Speechiness
4%
Valence
13%
Popularity
Loudness
-33.087 dB

Summary

"Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante" by Ludwig van Beethoven, Mischa Maisky, Martha Argerich was released on January 1, 1993. The duration of Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 24 in Beethoven: Cello Sonatas Op.69 & 102; Variations by Ludwig van Beethoven, Mischa Maisky, Martha Argerich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante BPM

The tempo marking of Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante by Ludwig van Beethoven, Mischa Maisky, Martha Argerich is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pavane pour une infante défunte by Maurice Ravel, Alexandre TharaudPavane pour une infante défunteMaurice Ravel, Alexandre TharaudE Minor09A63 BPM
Young Birches, Op. 128, No. 2 by Amy Beach, Joanne PolkYoung Birches, Op. 128, No. 2Amy Beach, Joanne PolkF♯ Minor111A170 BPM
Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon by Antonín Dvořák, Anneleen LenaertsDvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the MoonAntonín Dvořák, Anneleen LenaertsF♯ Major02B168 BPM
Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 4. a 1 Clav. - Variatio 5. a 1 o vero 2 Clav. - Variatio 6. Canone alla Seconda. a 1 Clav. by Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa MaiskyGoldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 4. a 1 Clav. - Variatio 5. a 1 o vero 2 Clav. - Variatio 6. Canone alla Seconda. a 1 Clav.Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa MaiskyE Minor09A80 BPM
Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio by Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the FieldsMozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. AdagioWolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the FieldsE♭ Major05B110 BPM
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo by Karol Szymanowski, Krystian Zimerman9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppoKarol Szymanowski, Krystian ZimermanG Minor06A78 BPM
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue by Ralph Vaughan Williams, Andrew Davis, BBC Symphony OrchestraVaughan Williams: Job, a Masque for Dancing, Scene 9: EpilogueRalph Vaughan Williams, Andrew Davis, BBC Symphony OrchestraG Minor06A99 BPM
24 Préludes, Op.28: 15. In D Flat Major by Frédéric Chopin, Martha Argerich24 Préludes, Op.28: 15. In D Flat MajorFrédéric Chopin, Martha ArgerichD♭ Major03B95 BPM
Pièces froides: II. Airs à faire fuir, Modestement by Erik Satie, Bruno FontainePièces froides: II. Airs à faire fuir, ModestementErik Satie, Bruno FontaineG Major09B73 BPM
Triple Concerto in C Major, Op. 56: II. Largo by Ludwig van Beethoven, Gruppo Montebello, Henk Guittart, Gideon den Herder, Elena Nemtsova, Kristian WintherTriple Concerto in C Major, Op. 56: II. LargoLudwig van Beethoven, Gruppo Montebello, Henk Guittart, Gideon den Herder, Elena Nemtsova, Kristian WintherA♭ Major04B76 BPM
ISRC
DEF059203841
Label
L-M Records/RCA Records

Section: 0.7456438541412354

End: 0.7498807907104492