"Nothing Left to Lose" by FIELDS had its release date on November 27, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in FIELDS's "In the Morning" album is number 4 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Nothing Left to Lose's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Nothing Left to Lose by FIELDS to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Memphis | Andrew James | B Major | 6 | 1B | 87 BPM | ||
Sweet Disposition | Miki Ratsula | D Major | 1 | 10B | 90 BPM | ||
Plastic Hearts | Kyle Lionhart | B♭ Major | 4 | 6B | 156 BPM | ||
Diamond Sky | Oliver Daldry | D Major | 4 | 10B | 114 BPM | ||
Always | Andrew James | B Major | 3 | 1B | 127 BPM | ||
Blood Drive - Demo | Joshua Burnside | D♭ Major | 2 | 3B | 102 BPM | ||
Get Worse - 2018 Version | FIELDS | F Major | 7 | 7B | 138 BPM | ||
Windowsill - Bonus Track | The Lake Poets | E Minor | 3 | 9A | 94 BPM | ||
Growing Up | Jayden Reid | G Major | 6 | 9B | 103 BPM | ||
Put On, Cologne | Donovan Woods | D♭ Major | 4 | 3B | 96 BPM | ||
Sunlit Juice | Henry Jamison | G Major | 5 | 9B | 174 BPM | ||
My Narrow Road | Roo Panes | E Major | 1 | 12B | 125 BPM | ||
In the Morning | FIELDS | F♯ Minor | 3 | 11A | 90 BPM | ||
Everything Is Made to Last | Ciaran Lavery | E♭ Major | 8 | 5B | 76 BPM | ||
Oil and Water | Lorne | E♭ Minor | 3 | 2A | 109 BPM | ||
Ivory. | Ben Zaidi | B Minor | 1 | 10A | 133 BPM | ||
St. Clarity (Mahogany Sessions) | The Paper Kites | F Minor | 2 | 4A | 97 BPM | ||
Satisfied | Jennifer Kamikazi | C Major | 2 | 8B | 144 BPM | ||
Love | Dan Hyde | D♭ Major | 1 | 3B | 79 BPM | ||
Nothing's Right | Birdtalker | G Major | 5 | 9B | 78 BPM | ||
I Can't Make You Love Me | Craig Cardiff | A Minor | 2 | 8A | 125 BPM | ||
Mother Tongue | Joshua Moss | G Major | 2 | 9B | 120 BPM | ||
Dropping | Mat Hunsley | B Minor | 2 | 10A | 138 BPM | ||
Vancouver Waves | August and After | A Major | 4 | 11B | 156 BPM | ||
Varsity | Henry Jamison | E Major | 5 | 12B | 89 BPM |