"La Plaisiers Ballet: Sarabande" by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 2000. The duration of La Plaisiers Ballet: Sarabande is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. La Plaisiers Ballet: Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 6 out of 35. On top of that, Germany appears to be the country where this track was created. The popularity of La Plaisiers Ballet: Sarabande is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Plaisiers Ballet: Sarabande by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Chaconne de l'amour Médecin, LWV 29 (1665) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 1 | 7B | 90 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Concerto No 3 in B minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B♭ Minor | 2 | 3A | 142 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Thésée, LWV 51, Prologue: "Partez, allez, volez, redoutable Ballone" (Mars, Vénus) | Jean-Baptiste Lully, Thaïs Raï-Westphal, Guilhem Worms, Les Talens Lyriques, Christophe Rousset | F Major | 1 | 7B | 105 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 4. Trio In E Flat Major, TWV53:A2: 4. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A Major | 2 | 11B | 109 BPM | ||
Castello : Sonata IV | Dario Castello, Il Giardino Armonico | B♭ Minor | 1 | 3A | 106 BPM | ||
Partie (Suite) In G Major, P 450: 7. Gigue | Johann Pachelbel, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 71 BPM | ||
Concerto No. 2 in E Major, SF 938 "La Cetra": I. Allegro assai | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Major | 1 | 5B | 107 BPM |
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