"Concerto for Orchestra, Sz. 116, BB 123: V. Finale - Presto" by Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra was released on 1956. Since Concerto for Orchestra, Sz. 116, BB 123: V. Finale - Presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 5 in Bartók: Concerto for Orchestra, Sz. 116 by Béla Bartók, Fritz Reiner. Concerto for Orchestra, Sz. 116, BB 123: V. Finale - Presto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra, Sz. 116, BB 123: V. Finale - Presto by Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Short Ride in a Fast Machine | John Adams, San Francisco Symphony, Michael Tilson Thomas | E Minor | 6 | 9A | 130 BPM | ||
Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: II. Andante tranquillo | Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony Orchestra | D♭ Major | 0 | 3B | 123 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 1 | 9B | 118 BPM | ||
Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
The Wooden Prince, Op 13, Sz. 60: Prelude | Béla Bartók, Neeme Järvi, Philharmonia Orchestra | A Major | 1 | 11B | 77 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | C Major | 1 | 8B | 79 BPM | ||
Romeo and Juliet Before Parting | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | F Major | 0 | 7B | 79 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
String Sextet No. 1 in B flat major, Op. 18: Andante ma moderato | Johannes Brahms, Nash Ensemble | G Minor | 0 | 6A | 136 BPM |
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