I Solisti Veneti & Claudio Scimone's 'Symphony No. 13 K. 112. F Major: III. Menuetto-Trio' came out on 1996. With Symphony No. 13 K. 112. F Major: III. Menuetto-Trio being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of W.A. Mozart: Early Symphonies - Vol. 3 by I Solisti Veneti & Claudio Scimone. The song's track number on the album is #11 out of 20 tracks. Symphony No. 13 K. 112. F Major: III. Menuetto-Trio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 13 K. 112. F Major: III. Menuetto-Trio by I Solisti Veneti & Claudio Scimone has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Symphony No. 13 K. 112. F Major: III. Menuetto-Trio being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Marriage of Figaro: Overture | Michael Maxwell | D Major | 2 | 10B | 137 BPM | ||
Symphony in D Major, G. 490: III. Allegro | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | C Major | 1 | 8B | 134 BPM | ||
Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
モーツァルト: ピアノ・ソナタ 第2番 ヘ長調 K. 280 〜第1楽章 | 雨宮修平 (Piano: 馬場彩乃) | F Major | 1 | 7B | 114 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Pulcinella Suite: I. Sinfonia. Allegro moderato | Igor Stravinsky, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 0 | 8B | 140 BPM | ||
L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Josh Lovell, Mathilde Ortscheidt, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 78 BPM |
Section: 0.6767187118530273
End: 0.6802902221679688