"Nunc gaudeant materna viscera (Antiphona)" by Hildegard von Bingen, La Reverdie was released on January 1, 2003. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Von Bingen: Sponsa Regis (La victoire de la Vierge dans l'œuvre d'Hildegard) by Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo. The song's track number on the album is #6 out of 13 tracks. Based on our data, France was the country where this track was produced or recorded. The popularity of Nunc gaudeant materna viscera (Antiphona) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nunc gaudeant materna viscera (Antiphona) by Hildegard von Bingen, La Reverdie has a tempo of 172 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Nunc gaudeant materna viscera (Antiphona) being at 172 BPM, the half-time would be 86 BPM with a double-time of 344 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Crux ave, spes unica | Giaches de Wert, Stile Antico | C Minor | 1 | 5A | 80 BPM | ||
Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Quan lo rius de la fontana | Jaufre Rudel, Ensemble Gilles Binchois | B Minor | 1 | 10A | 166 BPM | ||
Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM |
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