"Fifth Lesson: St. Luke II" by Choir of King's College, Cambridge was released on December 31, 1899. With Fifth Lesson: St. Luke II being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 20 in A Festival Of Lessons And Carols by Choir of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Fifth Lesson: St. Luke II's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fifth Lesson: St. Luke II by Choir of King's College, Cambridge is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morning has broken (Bunessan) | Traditional Gaelic, Choir of King's College, Cambridge, Sioned Williams, Stephen Cleobury | D Major | 0 | 10B | 89 BPM | ||
Vivaldi: Gloria in D Major, RV 589: XII. Cum Sancto Spiritu | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 2 | 3B | 109 BPM | ||
Parry: Dear Lord and Father of Mankind | Hubert Parry, Choir of King's College, Cambridge, Tom Bullard, Benjamin Bayl, Stephen Cleobury | E♭ Major | 1 | 5B | 120 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Drömmarna | Accentus, Eric Ericson | E♭ Major | 1 | 5B | 99 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Cantique De Jean Racine | Monks And Choir Boys Of Downside Abbey | D♭ Major | 1 | 3B | 73 BPM | ||
Ave Verum Corpus, K. 618 | The Cathedral Singers, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Aaron David Miller | D Major | 1 | 10B | 93 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM |
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