"Music For Prague 1968: Toccata And Chorale" by Karel Husa, Slovak Radio Symphony Orchestra was released on August 2, 1994. Since Music For Prague 1968: Toccata And Chorale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karel Husa's "Husa: Music For Prague 1968 / Reflections / Fresque" album is number 8 out of 8. In terms of popularity, Music For Prague 1968: Toccata And Chorale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Music For Prague 1968: Toccata And Chorale by Karel Husa, Slovak Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravi | Sanseti Sabaru | D Minor | 0 | 7A | 151 BPM | ||
Soprano Saxophone Concerto: IV. Wood | John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss | F Minor | 0 | 4A | 64 BPM | ||
An Original Suite: III. Finale | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 128 BPM | ||
Concerto in 1 movement (arr. A. Ostrander) | Alexey Konstantinovich Lebedev, Allen Ostrander, David Zerkel, Paolo Andre Gualdi | A Major | 0 | 11B | 68 BPM | ||
Transcendental Symphony Part IV. Finale 1: 'Atrocities' | Taipei New Dynasty Philharmonic & Chorus | A♭ Major | 2 | 4B | 133 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Szeged Trombone Ensemble, György Gyivicsán | C Major | 3 | 8B | 136 BPM | ||
Metropolis: II. Zwischenspiel: Der Tod | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Minor | 5 | 3A | 95 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Symphony No. 4: Measures 333-405 - | David Maslanka, Dallas Wind Symphony, Jerry Junkin | C Major | 0 | 8B | 127 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM |
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