"Siegfried Idyll" by Richard Wagner, Swedish Chamber Orchestra, Thomas Dausgaard was released on November 28, 2013. Siegfried Idyll appears to be safe for all ages as it is not explicit. This song is part of Wagner: Wesendonck-Lieder - Siegfried-Idyll by Richard Wagner, Nina Stemme, Swedish Chamber Orchestra, Thomas Dausgaard. The song's track number on the album is #8 out of 10 tracks. Siegfried Idyll is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried Idyll by Richard Wagner, Swedish Chamber Orchestra, Thomas Dausgaard has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Siegfried Idyll being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" | Richard Wagner, William Pell, Clemens Bieber, Andreas Schmidt, Kurt Rydl, Oskar Hillebrandt, Matti Salminen, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 74 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Die Feen, WWV 32, Act III: Act III: Trio (Arindal, Farzana, Zemina) | Richard Wagner, Cheryl Studer, Norbert Orth, Karl Helm, Friedrich Lenz, Roland Bracht, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Kurt Moll, Linda Gray, Kari Lövaas, Krisztina Laki, John Alexander, June Anderson, Roland Hermann, Jan-Hendrick Rootering, Wolfgang Sawallisch | C Major | 1 | 8B | 104 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Da zu dir der Heiland kam | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM |
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