"Vaughan Williams: The Lark Ascending" by Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra was released on May 27, 1991. Vaughan Williams: The Lark Ascending appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 6, "The Lark Ascending", Fantasia On A Theme By Thomas Tallis, Fantasia on Greensleeves, The Wasps-Overture by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra. The song's track number on the album is #6 out of 8 tracks. Based on our data, Germany was the country where this track was produced or recorded. Vaughan Williams: The Lark Ascending is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vaughan Williams: The Lark Ascending being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Small Orchestra: No. 1. On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 107 BPM | ||
Fantasia on Greensleeves | Traditional, Ralph Vaughan Williams, Britten Sinfonia, Nicholas Cleobury | C Minor | 1 | 5A | 87 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Company: I. — | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on a G String" | Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák | D Major | 1 | 10B | 86 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Górecki: Symphony No. 3, Op. 36, "Symphony of Sorrowful Songs": II. Lento e largo (Excerpt) | Henryk Górecki, Ernest Bour, Stefania Woytowicz, Symphonieorchester des Südwestfunks-Baden-Baden | D♭ Major | 0 | 3B | 72 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM |
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