"Quatre Motets sur des thèmes grégoriens, Op. 10: IV. Tantum ergo" by Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury was released on September 9, 2016. The duration of Quatre Motets sur des thèmes grégoriens, Op. 10: IV. Tantum ergo is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Quatre Motets sur des thèmes grégoriens, Op. 10: IV. Tantum ergo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 18 in Duruflé: Requiem, Four Motets, Messe Cum Jubilo by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge. Quatre Motets sur des thèmes grégoriens, Op. 10: IV. Tantum ergo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Motets sur des thèmes grégoriens, Op. 10: IV. Tantum ergo by Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord's my shepherd (Brother James' Air) | James Leith Macbeth Bain, Tom Bullard, Choir of King's College, Cambridge, Sioned Williams, Stephen Cleobury | D Major | 1 | 10B | 81 BPM | ||
Nunc dimittis in A Major | Herbert Sumsion, Chichester Cathedral Choir, James Thomas, Alan Thurlow | F♯ Minor | 1 | 11A | 69 BPM | ||
Rachmaninov: Vespers, Op. 37: XV. Vzbrannoy voyevode | Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 1 | 7B | 174 BPM | ||
Nunc Dimittis in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 0 | 6B | 135 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Rise Up My Love | Healey Willan, Choir of Jesus College, Cambridge, Mark Williams | D♭ Major | 1 | 3B | 124 BPM | ||
Nanino: Adoramus te, Christe | Giovanni Maria Nanino, Choir of King's College, Cambridge, Stephen Cleobury | B♭ Major | 1 | 6B | 74 BPM | ||
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: III. Gratias | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | A Major | 1 | 11B | 99 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM |
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