"The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 16, What If I Say I Shall Not Wait!" by Leo Smit, Georgine Resick, Warren Jones was released on April 23, 2007. With The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 16, What If I Say I Shall Not Wait! being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Smit: Song Cycles". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 16, What If I Say I Shall Not Wait! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 16, What If I Say I Shall Not Wait! by Leo Smit, Georgine Resick, Warren Jones having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theater on The BEDs - for violin piano duo | Shiuan Chang, William Wei, Evan Wong | A♭ Major | 0 | 4B | 148 BPM | ||
L'Art de varier, Op. 57: Variation 35 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM | ||
Five Melodies, Op. 35b: IV. Allegretto leggero e Scherzando | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 2 | 10B | 78 BPM | ||
Sonata for Piano Four Hands | Harold Shapero, Leo Smit | E♭ Major | 2 | 5B | 120 BPM | ||
Ma mère l'oye, M. 60: III. Laideronnette, impératrice des Pagodes | Maurice Ravel, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
Bartók: 14 Bagatelles, Op. 6, Sz. 38: No. 14, Valse. Ma mie qui danse - Presto | Béla Bartók, Piotr Anderszewski | D Major | 2 | 10B | 127 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Jave Suite: Part I. Wayang-Purwa: Puppet Shadow Play | Leopold Godowsky, Esther Budiardjo | A Minor | 0 | 8A | 124 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Krzysztof Meyer: Sonata No.4, Op.22: IV. Interludio II | Krzysztof Meyer, Manuel Fernandez | C Major | 0 | 8B | 106 BPM |
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