"...And the Mountains Rising Nowhere: … and the mountains rising nowhere" by Joseph Schwantner, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2006. ...And the Mountains Rising Nowhere: … and the mountains rising nowhere appears to be safe for all ages as it is not explicit. The song is number 3 out of 7 in Composer's Collection: Joseph Schwantner by Joseph Schwantner, North Texas Wind Symphony, Eugene Migliaro Corporon. ...And the Mountains Rising Nowhere: … and the mountains rising nowhere is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ...And the Mountains Rising Nowhere: … and the mountains rising nowhere by Joseph Schwantner, North Texas Wind Symphony, Eugene Migliaro Corporon is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Frank Martin, Op. 105: Var. 5, Allegro | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | A Minor | 1 | 8A | 106 BPM | ||
Three Olympians: II. Aphrodite | Peter Boyer, London Philharmonic Orchestra | E Major | 1 | 12B | 75 BPM | ||
Concerto for Alto Saxophone and Wind Ensemble: I | David Maslanka, Paul Nolen, Stephen Steele, Illinois State University Wind Symphony | F Major | 1 | 7B | 117 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: III. Von den großen Sehnsucht | Richard Strauss, François-Xavier Roth, London Symphony Orchestra | B Minor | 2 | 10A | 170 BPM | ||
Dance Movements: I. Ritmico | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 2 | 10B | 138 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: II. Song Without Words "I'll Love My Love" | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | C Minor | 0 | 5A | 65 BPM | ||
Mvt. 4. Interlude: Starry Night , Maslanka Concerto for Alto Saxophone and Wind Ensemble | David Maslanka, Otis Murphy, Ray Cramer | A♭ Major | 2 | 4B | 106 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Variations on a Korean Folk Song: I. Con moto | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | A♭ Major | 0 | 4B | 88 BPM | ||
Orpheus: Scene I: Lento sostenuto | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM |
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