"Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina (Transcr. for Piano Four Hands by György Kurtàg)" by Johann Sebastian Bach, Víkingur Ólafsson, Halla Oddný Magnúsdóttir was released on June 8, 2021. The duration of Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina (Transcr. for Piano Four Hands by György Kurtàg) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina (Transcr. for Piano Four Hands by György Kurtàg)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina (Transcr. for Piano Four Hands by György Kurtàg) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina (Transcr. for Piano Four Hands by György Kurtàg) by Johann Sebastian Bach, Víkingur Ólafsson, Halla Oddný Magnúsdóttir is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Transcr. for organ by Jörg Halubek | Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco | F♯ Minor | 2 | 11A | 102 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: II. Adagio ma non tanto e dolce | Johann Sebastian Bach, Murray Perahia, Kenneth Sillito, Jaime Martin, Academy of St. Martin in the Fields | F Major | 3 | 7B | 127 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
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