"Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 1: Scene 2 - Des Grieux's lodgings in Paris" by Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on January 1, 1987. Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 1: Scene 2 - Des Grieux's lodgings in Paris appears to be safe for all ages as it is not explicit. The track order of this song in Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge's "Massenet: Manon" album is number 2 out of 8. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 1: Scene 2 - Des Grieux's lodgings in Paris is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 1: Scene 2 - Des Grieux's lodgings in Paris by Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Die tote Stadt - Arr. Franz Willms: Tanzlied des Pierrot | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 2 | 3B | 98 BPM | ||
Giselle: Act II: Entree d'Hilarion scene et fugue des Wilis - Grand pas de deux | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 126 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM |
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