"Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio" by Heitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio Orchestra was released on 1987. Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. This song is part of Villa-Lobos: Bachianas Brasileiras by Heitor Villa-Lobos, Victoria de los Ángeles. The song's track number on the album is #1 out of 11 tracks. Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio by Heitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio Orchestra has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Madama Butterfly / Act 2: Un bel dì vedremo | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 77 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Vladimir Ashkenazy, Pinchas Zukerman, Lynn Harrell | C Major | 0 | 8B | 83 BPM | ||
Tannhäuser: Pilgerchor | Chor der Staatsoper Budapest, Orchester der Staatsoper Budapest, Josif Canta | E♭ Major | 2 | 5B | 118 BPM |
Section: 0.7310574054718018
End: 0.7359218597412109