Johann Heinrich Schmelzer, Nikolaus Harnoncourt, Concentus Musicus Wien made "Schmelzer: Sonata a 3 (From Kroměříž MS A 589a)" available on May 19, 2023. Schmelzer: Sonata a 3 (From Kroměříž MS A 589a) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Schmelzer: Sacro-profanus concentus musicus". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Schmelzer: Sonata a 3 (From Kroměříž MS A 589a)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Schmelzer: Sonata a 3 (From Kroměříž MS A 589a) by Johann Heinrich Schmelzer, Nikolaus Harnoncourt, Concentus Musicus Wien having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partie 5 en si bémol majeur: Gavotte - Variatio | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 125 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | B Major | 4 | 1B | 98 BPM | ||
Partie a Viola da Gamba solo com Cembalo D Minor: Sarabande | Ernst Stolz | D♭ Minor | 0 | 12A | 82 BPM | ||
Sinfonia a quattro No. 2 in A Major, SF C777: II. Largo | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Le Memorie Dolorose: No. 7, Miei lumi dolenti | Johann Heinrich Schmelzer, Jesse Blumberg, Acronym | B Major | 3 | 1B | 133 BPM | ||
Sonate in A Minor: I. Preludio | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Minor | 4 | 1A | 134 BPM | ||
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi", No. 22, Il ballo delle ingrate, SV 167: Ballo | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | A Minor | 0 | 8A | 95 BPM | ||
Canzon No. 19 In C Major, "La Pusterla" | Tarquinio Merula, Les Barocudas | B Major | 2 | 1B | 75 BPM | ||
Chamber Sonata No. 2 in C Minor: V. Aria affettuoso - Allegro - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | B Minor | 1 | 10A | 127 BPM |
Section: 0.7362396717071533
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