Caroline Culver's 'London' had a release date set for December 2, 2021. London is considered explicit and may contain foul language. This song is about 3 minutes and 1 seconds, which is about the average length of a typical song. Because this song is the only song in London and no other songs are present in the album, we classify this track as a single. In terms of popularity, London is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of London by Caroline Culver to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
You Were There | Angel Saint Queen | E♭ Major | 4 | 5B | 109 BPM | ||
Failure to Launch | Bella Porter | F♯ Major | 2 | 2B | 132 BPM | ||
Like You | Red Ribbon | G Major | 6 | 9B | 127 BPM | ||
Where Are You Going? | GIMMY | G Major | 2 | 9B | 74 BPM | ||
Machinery | Fake Dad | D Major | 7 | 10B | 120 BPM | ||
written reflection vol.1 | Anna Louise Bramlett | E Minor | 3 | 9A | 144 BPM | ||
Wildfire | Carly Winter | E Major | 8 | 12B | 78 BPM | ||
Moabit | Ellen B | G Major | 5 | 9B | 120 BPM | ||
June Gloom - Audiotree Live Version | Alix Page, Audiotree | D♭ Major | 6 | 3B | 112 BPM | ||
Hurt Like it Should - Audiotree Live Version | renforshort, Audiotree | B Minor | 5 | 10A | 109 BPM | ||
Hindsight | Becca Neighbor | B Major | 6 | 1B | 116 BPM | ||
The Old Hairdressers | Grayling | D♭ Major | 4 | 3B | 149 BPM | ||
Red Balloon | lucky break | B Major | 7 | 1B | 80 BPM | ||
Sentimental | LYNDIA | D♭ Major | 3 | 3B | 132 BPM | ||
firing line | girlhouse | G Major | 6 | 9B | 103 BPM | ||
Nothing to do with me | Flowerbomb | D Major | 7 | 10B | 127 BPM | ||
Terrible Discovery | Liza Anne | C Major | 7 | 8B | 125 BPM | ||
Don't Make Me Reach | Savannah Conley | A♭ Major | 3 | 4B | 172 BPM | ||
All The Places That You Used To Love Me | The Haunts | G Major | 4 | 9B | 120 BPM | ||
Uncle | Hallway | F♯ Minor | 6 | 11A | 178 BPM | ||
Midnight Thoughts | kadenjadi | A Major | 5 | 11B | 130 BPM | ||
Sink Into It | Marnie Glum | B♭ Major | 0 | 6B | 151 BPM | ||
Sixteen Candles | Seraphina | D♭ Minor | 2 | 12A | 90 BPM | ||
Count My Blessings | Belle | A Major | 7 | 11B | 170 BPM | ||
Razorblades | SORELLE | D♭ Major | 3 | 3B | 127 BPM |