"Hör mein Flehn, o Gott der Liebe (Figaros Hochzeit)" by Maria Reining was released on August 27, 2006. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 69 in the song's album "Unvergessene Stimmen der Wiener Staatsoper". In this album, this song's track order is #57. Hör mein Flehn, o Gott der Liebe (Figaros Hochzeit) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hör mein Flehn, o Gott der Liebe (Figaros Hochzeit) by Maria Reining having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Männer Sippe sass hier im Saale (Die Walküre) | Maria Reining | E Minor | 2 | 9A | 86 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Meine Geliebte!" | Jacques Offenbach, Sandor Konya, Orchester der Deutschen Oper Berlin, Richard Kraus | E Major | 0 | 12B | 77 BPM | ||
Zauberfest bezähmt ein Schlaf (Die Walküre) | Elisabeth Waldenau, Magda Strack, Martha Kuhn-Liebel, Erna Schlüter, Orchester des Reichssenders Stuttgart, Irma Roster, Rudolf Bockelmann, Fritz Krauss, Helene Jung, Trude Eipperle, Josef von Manowarda, Paula Kapper, Maria Reining, Paula Baumann, Carin Carlsson | D Minor | 1 | 7A | 108 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung Dämmrung deckt die Lande" - "O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Ariane à Naxos, Op. 60, TrV 228a: "Ach! ... Ach! ... Wo war ich?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) | Maria Reining, Elisabeth Rutgers, Erich Kunz, Alda Noni, Marjan Rus, Vienna State Opera Orchestra, Karl Böhm | F Major | 1 | 7B | 85 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Sena Jurinac, Maria Reining, Hilde Gueden, Alfred Poell, Wiener Philharmoniker, Erich Kleiber | B Minor | 2 | 10A | 80 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: "Quinquin, es ist mein Mann!" | Richard Strauss, Maria Reining, Harald Pröglhöf, Sena Jurinac, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | C Major | 2 | 8B | 83 BPM |
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