"V'higad'ta L'vincha: V. B'chol dor vador (In every generation)" by Gerald Cohen, Kathryn Palange, David Abrams, Alice Lee, Gregory Wood, Barbara Tagg was released on January 1, 2007. The duration of V'higad'ta L'vincha: V. B'chol dor vador (In every generation) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. V'higad'ta L'vincha: V. B'chol dor vador (In every generation)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gerald Cohen, Various Artists's "Gerald Cohen: Generations" album is number 15 out of 16. In terms of popularity, V'higad'ta L'vincha: V. B'chol dor vador (In every generation) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of V'higad'ta L'vincha: V. B'chol dor vador (In every generation) by Gerald Cohen, Kathryn Palange, David Abrams, Alice Lee, Gregory Wood, Barbara Tagg to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum patrem ingénitum | Hieronymus Praetorius, Weser-Renaissance Bremen, Manfred Cordes | A♭ Minor | 2 | 1A | 83 BPM | ||
Sea of Reeds: Dodi li va'ani lo | Gerald Cohen, Grneta Ensemble | G Minor | 1 | 6A | 171 BPM | ||
Once in Royal David's City (Arr. for Treble and Harp) | Henry John Gauntlett, Malakai, Cecily Beer | G Major | 0 | 9B | 83 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Secrets of the Old | Nicole Jordan & Celia Garcia-Garcia | C Major | 3 | 8B | 81 BPM | ||
Yedid Nefesh: Scherzando, Fast | Gerald Cohen, Vasko Dukovski, Maria Lambros, Alexandra Joan | E Minor | 2 | 9A | 81 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Romances on Poems by A.Blok, Op. 127: IV. The City Sleeps | Dmitri Shostakovich, G.A.P. Ensemble, Dorothee Mields | F Major | 0 | 7B | 109 BPM | ||
Annelies (chamber version): I. Introit - Prelude | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 84 BPM | ||
Voyagers: I. Cavatina | Gerald Cohen, Narek Arutyunian, Cassatt String Quartet | G Minor | 1 | 6A | 83 BPM |
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