"Jesu, Son Most Sweet And Dear" by East London Chorus, Locke Brass Consort, Paul Ayres was released on October 20, 1995. The duration of Jesu, Son Most Sweet And Dear is about 3 minutes long, at 3:26. Based on our data, "Jesu, Son Most Sweet And Dear" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 18 in East London Chorus - Essentially Christmas: Seasonal Music By Rutter, Bliss, John Owen Edwards, Walton, Etc. by East London Chorus, Locke Brass Consort, Paul Ayres. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Jesu, Son Most Sweet And Dear's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jesu, Son Most Sweet And Dear by East London Chorus, Locke Brass Consort, Paul Ayres is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 111 BPM | ||
Fix Me, Jesus | Millennial Choirs & Orchestras, Brett Stewart, Brandon Stewart, Cory Mendenhall, Brent Wells, Joni Jensen | E Major | 1 | 12B | 67 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Ubi caritas | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | F♯ Minor | 0 | 11A | 78 BPM | ||
The Crucifixion: Processional to Calvary. Fling wide the Gates! For the Saviour waits (Tenor, Chorus) | John Stainer, Brian Kay, Martyn Hill, Margaret Philips, BBC Singers, Leith Hill Festival Singers | B Minor | 1 | 10A | 79 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Surrexit Christus | The Songs of Taize Session Singers | D Major | 0 | 10B | 108 BPM | ||
Elijah, Op. 70, MWV A 25: Lift Thine Eyes to the Mountains | Felix Mendelssohn, Robert Shaw, Atlanta Symphony Orchestra | E Major | 2 | 12B | 80 BPM | ||
Strathclyde Motets: Data est mihi omnis potestas | James MacMillan, Harry Christophers, The Sixteen | C Minor | 1 | 5A | 65 BPM | ||
The Lord's Prayer (Version for Mixed Choir & Piano) | Robert Stone, The St. Olaf Choir, Anton Armstrong | E Major | 0 | 12B | 81 BPM |
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