"Piano Concerto in G Major, M. 83: II. Adagio assai" by Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier was released on October 2, 2015. Since Piano Concerto in G Major, M. 83: II. Adagio assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Ravel". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Piano Concerto in G Major, M. 83: II. Adagio assai is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo (Allegro moderato) - Live | Sergei Prokofiev, Yuja Wang, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | G Minor | 1 | 6A | 96 BPM | ||
Intermezzo No. 1 in E-Flat Major, Op. 117 - Andante moderato - Remastered | Johannes Brahms, Glenn Gould | E♭ Major | 0 | 5B | 76 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Igor Levit | A♭ Major | 0 | 4B | 63 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Pavane pour une infante défunte - for Piano | Maurice Ravel, Werner Haas | E Minor | 0 | 9A | 102 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | B Major | 0 | 1B | 98 BPM |
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