"Diana and Actaeon - Arr. Peter March: Pas de deux" by Riccardo Drigo, English Chamber Orchestra, Richard Bonynge was released on January 1, 2001. Since Diana and Actaeon - Arr. Peter March: Pas de deux is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 126 in Fête de Ballet by Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Diana and Actaeon - Arr. Peter March: Pas de deux is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Diana and Actaeon - Arr. Peter March: Pas de deux by Riccardo Drigo, English Chamber Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
Le Carnaval des Animaux, R.125: 10. Volières | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 2 | 7B | 159 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Tarantella from La boutique fantasque (ballet, after Rossini) - Instrumental | Ottorino Respighi, Philadelphia Orchestra, Eugene Ormandy | A Minor | 4 | 8A | 78 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Liebeslied (arr. for viola and piano) | Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino | A Major | 1 | 11B | 74 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM |
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