Dmitri Shostakovich, Amarcord Wien made "Walzer, No. 2" available on 2003. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in Europe a symphonic vision by Christian Kolonovits by Bruckner Orchester Linz, Amarcord Wien, Bruckner Orchester Linz featuring Amarcord Wien, Andi Gabauer, Cosmic Voices of Bulgaria, Chemie Linz Chor, Bratislava Boys Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Walzer, No. 2 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Walzer, No. 2 by Dmitri Shostakovich, Amarcord Wien is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alla Turca Jazz, Op. 5b | Fazıl Say | E Minor | 3 | 9A | 168 BPM | ||
Eternity And A Day: 15. Trio And Eternity Theme | Eleni Karaindrou, Vangelis Christopoulos, Nikos Guinos, Vangelis Skouras, Aris Dimitriadis, Iraklis Vavatsikas, Spyros Kazianis, String Orchestra La Camerata, Katrin Zenz, Sergiu Nastasa, Renato Ripo | B♭ Minor | 2 | 3A | 141 BPM | ||
Rota / Arr. Capelletti & Lenaerts: The Godfather Suite | Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic | C Minor | 1 | 5A | 76 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM | ||
Chopin: Prelude No. 4 in E Minor, Op. 28 No. 4 (Arr. for cello) | Frédéric Chopin, Julian Lloyd Webber | E Minor | 0 | 9A | 90 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Wilhelm Kempff | D♭ Minor | 0 | 12A | 146 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM |
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