Jean-Joseph Mouret, John Roderick MacDonald, Martin Stephan made "Rondeau et Fanfares (Suite de Symphonies): I. Rondeau" available on November 30, 2003. With Rondeau et Fanfares (Suite de Symphonies): I. Rondeau being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 26 in Festliche Musik Fur Trompete Und Orgel (Festive Music for Trumpet and Organ) by John Roderick MacDonald. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Rondeau et Fanfares (Suite de Symphonies): I. Rondeau is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Rondeau et Fanfares (Suite de Symphonies): I. Rondeau by Jean-Joseph Mouret, John Roderick MacDonald, Martin Stephan is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wie schön leuchtet der Morgenstern | Philipp Nicolai, Johann Hermann Schein, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | E Major | 1 | 12B | 135 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | C Minor | 0 | 5A | 98 BPM | ||
Oratorio de Noel, Op. 12: Tollite hostias (Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | A♭ Major | 1 | 4B | 132 BPM | ||
O Tannenbaum | Siegfried Peugler | C Major | 1 | 8B | 147 BPM | ||
Hallelujah Chorus | Treorchy Male Voice Choir | D Major | 2 | 10B | 106 BPM | ||
Der Messias - In deutscher Sprache / Erster Teil: II. Arie. Tenor "Alle Tale macht hoch erhaben" | George Frideric Handel, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram | G Major | 1 | 9B | 96 BPM | ||
Dreißig neue auserlesene Padouanen und Galliarden: Paduane | Johannes Ghro, Ludwig Güttler, Blechbläserensemble Ludwig Güttler | E♭ Major | 1 | 5B | 115 BPM | ||
"Bist du bei mir", BWV 508 | Gottfried Heinrich Stölzel, Kiri Te Kanawa, Christopher Bowers-Broadbent, Olga Hegedus | E♭ Major | 0 | 5B | 128 BPM | ||
Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 15. Chor "Ehre sei Gott in der Höhe" | George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Maurice André, Hedwig Bilgram, Münchener Bach-Chor | D Major | 3 | 10B | 97 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Air | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Minor | 1 | 1A | 120 BPM |
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