"Symphonic Metamorphosis after Themes by Carl Maria von Weber: Turandot: Scherzo" by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker was released on January 4, 1995. Since Symphonic Metamorphosis after Themes by Carl Maria von Weber: Turandot: Scherzo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Franz-Paul Decker's "Hindemith: Mathis Der Maler / Symphonic Metamorphosis" album is number 8 out of 10. Symphonic Metamorphosis after Themes by Carl Maria von Weber: Turandot: Scherzo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphonic Metamorphosis after Themes by Carl Maria von Weber: Turandot: Scherzo by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Schließe mir die Augen beide | Alban Berg, Daniel Hope, Simon Crawford-Phillips | C Major | 0 | 8B | 117 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Sonate, Op. 11 No. 3: II. Langsam - | Paul Hindemith, Umberto Aleandri, Filippo Farinelli | A♭ Major | 1 | 4B | 86 BPM |
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