"Quatre Mélodies op.13: 2. Sérénade (Jean Lahor)" by Ernest Chausson, Mischa Maisky, Daria Hovora was released on January 1, 1999. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mischa Maisky, Daria Hovora's "Mischa Maisky - Après un rêve" album is number 12 out of 23. In terms of popularity, Quatre Mélodies op.13: 2. Sérénade (Jean Lahor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatre Mélodies op.13: 2. Sérénade (Jean Lahor) by Ernest Chausson, Mischa Maisky, Daria Hovora to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Satie: 3 Gymnopédies: I. Lent et douloureux in D Major and D Minor (Orch. Debussy) | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | A Minor | 0 | 8A | 68 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Piano Concerto No. 1 in F sharp minor, Op. 1: 3. Allegro vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | F Minor | 1 | 4A | 122 BPM | ||
Violin Concerto, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, John Wilson, RTE Concert Orchestra, Andrew Haveron | G Major | 0 | 9B | 87 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
Fünf Lieder: Die Stille Stadt | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | D Major | 0 | 10B | 62 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM |
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