Andrés Segovia's 'Estudio sin luz' came out on January 1, 2002. The duration of Estudio sin luz is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Estudio sin luz's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 41 in Andrés Segovia - The Art of Segovia by Andrés Segovia, Albert Roussel, Alexander Scriabin, Carlos Pedrell, César Franck, Claude Debussy, Domenico Scarlatti, Edvard Grieg, Federico Moreno Torroba, Felix Mendelssohn, Fernando Sor, Francisco Tárrega, Frédéric Chopin, George Frideric Handel, Girolamo Frescobaldi, Heitor Villa-Lobos, Isaac Albéniz, Jean-Philippe Rameau, Joaquín Rodrigo, Joaquín Turina, Johann Sebastian Bach, John Dowland, Manuel de Falla, Manuel Ponce, Mario Castelnuovo-Tedesco, Modest Mussorgsky, Niccolò Paganini, Traditional. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Estudio sin luz is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Estudio sin luz by Andrés Segovia is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dance from La Vida Breve | John Williams | D Minor | 2 | 7A | 107 BPM | ||
Libra Sonatine: I. India | Roland Dyens, Elena Papandreou | G Major | 1 | 9B | 94 BPM | ||
Capricho diabolico, Op.85 | Mario Castelnuovo-Tedesco, Andrés Segovia | D Minor | 3 | 7A | 79 BPM | ||
Fantasia, Op. 19 | Luigi Legnani, Pavel Steidl | E Major | 1 | 12B | 127 BPM | ||
Adagio in G Minor for Organ and Strings (Transcr. for two guitars by A. Lagoya) | Tomaso Albinoni, Remo Giazotto, Alexandre Lagoya, Ida Presti | D♭ Minor | 0 | 12A | 79 BPM | ||
5 Bagatelles: IV. Sempre espressivo | William Walton, Ana Vidovic | B Minor | 0 | 10A | 117 BPM | ||
Muerte del angel - Tango (arr. R. Cobo): La muerte del angel - Tango (arr. R. Cobo) | Ricardo Cobo, Astor Piazzolla | A Minor | 1 | 8A | 89 BPM | ||
Musica Incidental para Cine | Abel Carlevaro | E Minor | 2 | 9A | 108 BPM | ||
Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | C Major | 1 | 8B | 106 BPM | ||
Un jour tu verras | Roland Dyens | F Major | 1 | 7B | 91 BPM |
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