Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill made "Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna" available on 1995. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's popularity is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna by Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | E♭ Minor | 1 | 2A | 86 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Also Sprach Zarathustra, Op. 30: Introduction | SWR Symphony Orchestra | D♭ Major | 2 | 3B | 83 BPM | ||
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM | ||
Nocturne in E-Flat Major, Op. 9, No.2 | Frédéric Chopin, Vladimir Feltsman | E♭ Major | 0 | 5B | 73 BPM | ||
Nocturnes, Op. 9: No. 2, Andante in E-Flat Major | Frédéric Chopin, Henrik Måwe | F♯ Major | 10 | 2B | 93 BPM | ||
Má vlast (My Country): No. 2, Vltava [Moldau] | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 1 | 9B | 148 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Chichester Psalms: I. Psalm 108 vs. 2, Psalm 100 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 70 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM |
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