島津亜矢's '糸' came out on October 21, 2015. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "SINGER3". In this album, this song's track order is #3. Based on our statistics, 糸's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 糸 by 島津亜矢 having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
翼をください | Ayaka Hirahara | D Major | 7 | 10B | 176 BPM | ||
茨の海 | Chihiro Onitsuka | B♭ Minor | 3 | 3A | 164 BPM | ||
渋谷で・・・どう? | 真田ナオキ | D♭ Major | 4 | 3B | 92 BPM | ||
昔の名前で出ています | Akira Kobayashi | D Minor | 4 | 7A | 169 BPM | ||
永遠の夢に向かって (2019 Remastered) | Maki Ohguro | F♯ Minor | 8 | 11A | 118 BPM | ||
友達でいいから | Yumiko Takahashi | E Major | 8 | 12B | 125 BPM | ||
恋 | 島津亜矢 | F♯ Minor | 5 | 11A | 142 BPM | ||
さよならをするために~アコースティックバージョン~ | Billy Ban Ban | B Minor | 3 | 10A | 102 BPM | ||
りばいばる | Naoko Ken | B♭ Minor | 4 | 3A | 120 BPM | ||
22才の別れ | Kozo Murashita | G Minor | 2 | 6A | 132 BPM |
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