London Symphony Orchestra's 'Waltz from Sleeping Beauty, Op. 66' came out on January 11, 2010. With this song being about 5 minutes long, at 4:46, "Waltz from Sleeping Beauty, Op. 66" by London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Belgium. Waltz from Sleeping Beauty, Op. 66 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waltz from Sleeping Beauty, Op. 66 by London Symphony Orchestra having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Nutcracker, Ballet Suite, Op. 71a: II. March | South German Philharmonic Orchestra | E Minor | 2 | 9A | 72 BPM | ||
The Nutcracker, Ballet Suite, Op. 71a: VI. Chinese Dance | Bamberg Symphony, Jonel Perlea | B♭ Major | 3 | 6B | 129 BPM | ||
Messiah, HWV 56 / Pt. 1: 16. Air: Rejoice greatly, o daughter of Zion | George Frideric Handel, Margaret Marshall, English Baroque Soloists, John Eliot Gardiner | A Major | 0 | 11B | 122 BPM | ||
"The Trout" from Quintet for Strings and Piano, D 667, Op. 114 | Ensemble Piacevole | D Major | 1 | 10B | 121 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 68 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Williams: Main Theme (From "Schindler's List") | John Williams, Chloë Hanslip, Paul Mann, London Symphony Orchestra | D Minor | 1 | 7A | 72 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": IV. Finale (Molto vivace) | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 77 BPM | ||
Russian Sailors Dance - Gliere | London Symphony Orchestra | D Minor | 4 | 7A | 79 BPM | ||
Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 65 BPM |
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