"Violin Concerto in D Op. 61 (cadenzas by Vasa Prihoda) (1988 Digital Remaster): I. Allegro ma non troppo" by New Philharmonia Orchestra, Sir Adrian Boult, Josef Suk was released on June 4, 2007. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 100 in Best Beethoven 100 by Various Artists. Based on our statistics, Violin Concerto in D Op. 61 (cadenzas by Vasa Prihoda) (1988 Digital Remaster): I. Allegro ma non troppo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in D Op. 61 (cadenzas by Vasa Prihoda) (1988 Digital Remaster): I. Allegro ma non troppo by New Philharmonia Orchestra, Sir Adrian Boult, Josef Suk is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra | G Major | 3 | 9B | 100 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 89 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Pictures at an Exhibition - Symphonic transcription by Leopold Stokowski: Catacombs | Modest Mussorgsky, New Philharmonia Orchestra, Leopold Stokowski | F♯ Major | 1 | 2B | 79 BPM | ||
Messe solennelle de Sainte Cécile (1988 Digital Remaster): Sanctus | Charles Gounod, Pilar Lorengar/Heinz Hoppe/Franz Crass/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/Jean-Claude Hartemann, Jean-Claude Hartemann, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 2 | 10A | 77 BPM | ||
Symphony No.7 in A, Op.92: 4. Allegro con brio | Ludwig van Beethoven, New Philharmonia Orchestra, Leopold Stokowski | A Major | 2 | 11B | 132 BPM | ||
Mendelssohn: The Hebrides, Op. 26, MWV P7 "Fingal's Cave" | Felix Mendelssohn, Moshe Atzmon, New Philharmonia Orchestra | D Major | 2 | 10B | 130 BPM | ||
Haydn: Symphony No. 88 in G Major, Hob. I:88: I. Adagio - Allegro | Joseph Haydn, Otto Klemperer, New Philharmonia Orchestra | D Major | 2 | 10B | 131 BPM |
Section: 1.1520960330963135
End: 1.1557350158691406