Vitalij Margulis made "Étude Op. 25, No. 9, "Butterfly": Allegro assai in G-Flat Major" available on January 1, 2019. With Étude Op. 25, No. 9, "Butterfly": Allegro assai in G-Flat Major being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 14 in Frédéric Chopin: Sonata No. 2 in B minor · 9 Etudes · Polonaise in A Flat Major by Vitalij Margulis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Étude Op. 25, No. 9, "Butterfly": Allegro assai in G-Flat Major is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Étude Op. 25, No. 9, "Butterfly": Allegro assai in G-Flat Major by Vitalij Margulis is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Alberto Lizzio, Philharmonia Slavonica | D Major | 1 | 10B | 92 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Romance for Violin and Orchestra No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Ilmar Lapinsch, Russian Philharmonic Symphony Orchestra, Alexei Bruni | D Minor | 2 | 7A | 75 BPM | ||
5 Morceaux de fantasie, Op. 3: No. 2, Prélude in C-Sharp Minor | Henrik Måwe | D Major | 4 | 10B | 103 BPM | ||
Klaviersolo " Kinderszenen " , Op. 15, Nr. 7: Träumerei | Sylvia Capova | F Major | 0 | 7B | 131 BPM | ||
Mozart: Concerto for Two Pianos & Orchestra in E flat, K. 365 | London Festival Orchestra | E♭ Major | 2 | 5B | 136 BPM | ||
Klaviersolo in A Major, WoO 10: Barcarolle | Sylvia Capova | F♯ Minor | 0 | 11A | 77 BPM | ||
Fantasiestücke op. 12 - I. Des Abends | Peter Schmalfuss | D♭ Major | 0 | 3B | 97 BPM |
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