"Percussion Concerto: III. Ritmico con brio" by Joseph Schwantner, Christopher Lamb, Nashville Symphony Orchestra, Giancarlo Guerrero was released on June 7, 2011. Percussion Concerto: III. Ritmico con brio appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Schwantner: Percussion Concerto - Morning's Embrace - Chasing Light…". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Percussion Concerto: III. Ritmico con brio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Percussion Concerto: III. Ritmico con brio by Joseph Schwantner, Christopher Lamb, Nashville Symphony Orchestra, Giancarlo Guerrero having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide: IV. Glitter and Be Gay | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | A♭ Major | 1 | 4B | 78 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM | ||
The Snow Maiden, Op. 12, Act II: No. 10, Melodrama (Andantino, quasi Allegretto) | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | A Major | 4 | 11B | 86 BPM | ||
Opus No. 5 Karsten Masch - Tubae Spei - The Trumpets Of Hope | Karsten Masch | E♭ Major | 0 | 5B | 98 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
The Passenger, Op. 97: Vorspiel | Mieczysław Weinberg, Grazer Philharmonisches Orchester, Roland Kluttig | B♭ Major | 1 | 6B | 91 BPM | ||
Concerto in F Minor, Op. 18: I. Allegro moderato | Oskar Böhme, Thomas Hooten, Rebecca Wilt | F Minor | 1 | 4A | 99 BPM | ||
Dionysiaques, Op. 62 | Florent Schmitt, Cincinnati Wind Symphony, Eugene Migliaro Corporon | F Major | 2 | 7B | 124 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): III. First Dance - Dance of the Princess in the Forest, Pt. 1 | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM |
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